![]() Both had fathers who were learned émigré cantors in the Central European mold both devoted substantial creativity to Jewish subjects while never circumscribing themselves parochially both have been generally perceived as prominent in each field both served on faculties of major universities and conservatories and both established lifelong official affiliations with major American institutions of higher Jewish learning: Adler with the Reform movement, through his ongoing association with the School of Sacred Music of Hebrew Union College, and Weisgall with the Conservative movement and the Jewish Theological Seminary-as chairman of the faculty of its Cantors Institute and Seminary College of Jewish Music. Among 20th-century American Jewish composers, perhaps only the life of Hugo Weisgall offers some parallels. Adler has long been in the forefront of both worlds, not only artistically as a composer (his primary endeavor), but also intellectually and academically as a lecturer, educator, and author. ![]() ![]() In that he has always devoted his gifts to Judaically related and general musical expression with equal emphasis, Samuel Adler is a unique phenomenon among those established mainstream American composers whose Jewish identities have informed a part of their art.
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